It was usually twilight and as I drove in from the East, the city was particularly beautiful. It was almost a five-hour drive, and as I would get closer to New Orleans I would put on a jazz CD to match the mood as I saw the first glimpses of the skyline of my beloved city. DESAFINADO I remember hearing this song a lot growing up, and it was on a CD I used to listen to when I would drive back to New Orleans from my first job in academia at Mississippi State University. The guitar is the anchor of bossa and samba, and I love John's intro as it sets the mood beautifully for the piece. It's a beautiful language, and the lyrics of bossa novas are typically much more poetic in their original language than in English translations. I've been studying Portuguese for several years with my tutor, Laura Ann Singh. TRISTE This is one of the first songs I learned in Portuguese. It's not an easy soli, but it was a lot of fun! 2. So he composed the one heard on this track. I began learning the tune and told Tony that I'd be interested in learning a soli for it as well. Their vocalist sang a "soli" in unison with the horns that I thought was terrific. armed services jazz band at The Midwest Clinic conference in Chicago. JOY SPRING I first noticed this Clifford Brown tune when I heard it performed by a D.C. Our engineer, Ryan Corbitt, is also a VCU Jazz alumnus. All but my dad have ties to Virginia Commonwealth University, where I am a professor and chair the Counselor Education Department. Going into the studio with these amazing musicians was a great deal of fun. Wolfe and I had collaborated on a few tunes previously and guitarist John Conley and bassist Brian Sulser are regular members of our performing quartet. I've had the pleasure of working with all of the musicians on this album on live performances prior to this recording. I grew up in New Orleans surrounded by standard tunes, bebop, blues, and Brazilian tunes and am delighted to be able to present this CD of some of my favorites. My dad is a world-renowned jazz trombonist (and physicist) and my husband is an acclaimed jazz trombonist, composer, and educator. The album is particularly special because it features both my dad and my husband, Tony. And it was an honor to work with the talented musicians on this album. Wolfe (drums) Each song on the album holds a special meaning for me. Mary Hermann García (vocals), Al Hermann (trombone), Antonio García (trombone, percussion, vocals), John Conley (guitar), Wells Hanley (piano), Brian Sulser (bass), C.J.
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